Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;  Related Paintings of Camille Pissarro :. | Schwartz of Schwartz Metaponto riparian | corner of the garden | Road Vehe peaceful suburb road | The garden of Pontoise | Bathing girl who sat up haret |
Related Artists:
BEGAS, Carl the Elder
German painter b. 1794, Hainsberg bei Aachen, d. 1854, Berlin
Nathaniel Bacon
(1585-1627) was a wealthy landowner from Culford, Suffolk, England. self-portraitBacon was an exceptionally skillful amateur painter and gardener. Only a small group of 9 of his paintings survive. He was particularly known for his kitchen and market scenes, dominated by still-life depictions of large vegetables and fruit, often accompanied by a buxom maid, the most well known being "The Cookmaid with Still Life of Vegetables and Fruit" (Tate Gallery London). This predilection for cook or market scenes is much more common among Dutch and Flemish painters, see for example Joachim Beuckelaer (1533-1574), or from a later generation, Pieter Cornelisz van Rijck (1567-ca.1637), and Cornelis Jacobsz Delff. Bacon is credited with the first known British landscape and also painted a self-portrait and a number of other portraits. He was created a Knight of the Bath in 1625, in honour of the Coronation of Charles I. He died at Culford Hall at the age of 42. He was buried there on 1 July 1627. His little daughter, Jane, aged three years, died that same October and is buried alongside her father. The entries of their burials follow each other in the Culford Parish Burial Register. He was the son of Sir Nicholas Bacon, 1st Baronet.
George Dawe
1781-1829 British George Dawe Locations English painter and writer. He was the son of the mezzotint engraver Philip Dawe who taught him engraving. He continued to concentrate on engraving when he entered the Royal Academy Schools, London, in 1796, producing portraits until 1802, when he turned to history painting. In 1803 he won a gold medal and the following year made his d?but at the Royal Academy, where he exhibited until 1818, often showing such anecdotal and literary works as Imogen Found in the Cave of Belarius (exh. RA 1809; London, Tate). He was elected an ARA in 1809 and an RA in 1814 and soon afterwards returned to portrait painting. In 1816 he painted a number of portraits of George IV daughter Princess Charlotte (e.g. London, N.P.G.), several of which were engraved. In 1817 he went to Brussels and was present at the review of the allied troops by Arthur Wellesley, 1st Duke of Wellington in Cambrai. Soon afterwards he was invited by Tsar Alexander I of Russia to paint the portraits of all the senior officers who had taken part in the Napoleonic Wars. He travelled to St Petersburg in 1819 where, over the next nine years, he painted nearly 400 portraits. These were placed in a specially built gallery (destr.) in the Winter Palace in St Petersburg. He returned briefly to England in 1828 before travelling to Berlin, where he painted the portraits of Ernest Augustus, Duke of Cumberland (1828; London, N.P.G.) and Frederick William III, King of Prussia (1828; untraced). From Berlin he moved to St Petersburg and then to Warsaw before being forced by illness to return to England, where he died shortly afterwards. His book The Life of George Morland with Remarks on his Works (1807) is both a lively account of his godfather dissipated lifestyle and a fairly critical appreciation of his work.